8/10/2023 0 Comments Creepshow 2 waxwork records review![]() Usually they just let me go away and do my thing because I’m sure when they come to me for a design, they trust my instincts, too, and they may have a general idea of what I could do with the material. Once we have an idea locked down, depending on the level of illustration, I’ll need to go away for a while and get it done. "I would say there’s lots of improvising, but there's also lots of planning. Also, Waxwork is great about suggesting an idea or they’ll hint at a mood or feeling they’d like to see in the record design and that will inspire me, too." I’m generally inspired by those artists from EC: 'Ghastly' Graham Ingels and Jack Davis. For the Creepshow record, Waxwork wanted to give it the classic ‘EC Comics/ Tales from the Crypt’ vibe of the film and it was really exciting to tap into that style. I don’t always like settling on my very first idea. I like to really explore the films I’m tackling and rough out a lot of concepts. “I work pretty closely with Waxwork on just about every aspect of the design. It’s such a satisfying episode for a horror fan.” Ted Danson and Gaylen Ross as the waterlogged zombies look really scary. The guilt of his crime haunts him and he really gets it in the end. He’s really sinister in the film and you believe he’s crazy but still has a conscience. If I had to pick a favorite segment from the film, it would have to be ‘Something To Tide You Over.’ I think Leslie Nielsen really proved his acting chops in that role. Romero, and of course, John Harrison’s fantastic score. “ Creepshow really has it all: great performances, great monsters, Savini special effects, Stephen King, George A. “I’m a fan of the film and I’ve seen it many times, but when it came to do the score, I watched it again with a new set of eyes,” Pullin explains. ![]() When they emailed me about finding the original master tapes and doing the packaging for Creepshow, I was floored and couldn’t wait to get started.” After that was released, I knew there would be another collaboration with them down the line. ![]() It was their first release and it was a really great project and process. Having worked exclusively with Harrison, Romero, and the original master tapes to create the ultimate Creepshow experience, Waxwork Records also enlisted the talent of renowned artist "Ghoulish" Gary Pullin, whose precise palette and vision carved out the vicious visual aesthetic that became the perfect complement to the campy, dark imagery of the film and its audio.Įxplaining how he got involved in the project, Pullin notes, “I had worked with Waxwork Records on the Re-Animator soundtrack. Along with the spectacular special effects of Tom Savini, Creepshow is often heralded for its brilliantly malevolent, piano-tinged music score by composer John Harrison. An anthology of classic chills and kills, this collaboration between the genre’s finest creative minds has long been a favorite amongst fans of monsters and the macabre. Romero, Creepshow is a frightening, fun, and faithful ode to the EC Comics of the 1950s. The brainchild of horror maestros Stephen King and George A.
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